There are times that I step back and take a look at what I do for a living. It can be pretty damn cool. Many people ask "Do you love it?". I would have to say, honestly, no. Do I think that it is exciting and neat, yes. I am doing something that people only dream of, well, normal people don't dream about my job exactly-but of working in show business in general.
For example, today I walked across an empty stage to a meeting. While I was walking I took in the grandeur of the 770 seats looking at me. A moment that most people will never experience.
I get to say the weirdest sentences through the course of the day that make total sense to everyone in the room. "After taping the floor I will move the moose head so that the bed frame doesn't roll over it, if you can preset David's purse and Andrew's skirt." And the people around you are doing and saying things that don't really make sense, until of course they do. "Dave Trimble, have you set your purse?" "Maybe Stevie is farting on an audience member and blowing it on them" "As long as it is good bad, not bad bad, can we set the bad?" "Elk head, deer head, mule head, mule deer head, animal head, ungulate head? Trophy head? Does it have to have a name?" "she's a going! Not yet she's not! Then make a better sound effect". "you mean...your's saying...you...so you...so / And you say you have worked in Stratford?"
We have a good time for the most part. But this show has been a bit stressful. It was suppose to be a small show. There is usually a Stage Manager, Assistant Stage Manager, and Apprentice Stage Manager. There have been plenty of shows at Theatre Calgary that I have done as the only person back stage. I wasn't worried. And knew that this must be small if they are bumping up the other assistant to Stage Manager for the first time. But it grew out of control. In general you have three weeks of rehearsal, the first week you read through the play and talk about it, then you get up on your feet and start adding the movement to the words, once you have done each scene once you add props, after going through them a couple of times you can start to think about wardrobe. But as a general rule you don't have wardrobe in the room, just rehearsal pieces. (If someone is wearing something they don't usually wear you want them to get used to it.) This show has been nothing like that. There wasn't the usually layering. Before we had begun blocking the movement we were talking about costume changes. It has been wild.
And that is my excuse for not writing. I have been working 11 hour days with a half hour travel time on each side (assuming I made it for the bus that comes every half hour).