Well, the show has opened. It has been a long haul. But for the foreseeable future we don't anticipate any more rehearsals. Just show calls. And that is such a relief. Eight shows , six days and 40 hours a week now. Sounds like a great deal after all of the work that I have put in.
The show was reviewed by a couple of mediums. The ones that I have located are from the paper. The Sun and Herald. They are interesting. The show that I last saw in rehearsal is very different now. It is full of pretty pictures - but I have been wondering about the story. The real emotion. I find that these reviews are a little different in opinion. Here are some of the highlights. I have also included links to the full reviews.
The Herald ReviewRemaking a Christmas classic; Why Theatre Calgary risked giving Scrooge an entirely new look
The Sun Review'Christmas Carol' a visual feast
The consistent talk about the size, scale and wow of the set.Theatre Calgary's new version of A Christmas Carol is a world-class visual
spectacle... Magnificent sets are a joy to behold and even more
awe-inspiring when they begin to move. -The Sun
Sets, costumes, music, and script -- most everything about the company's
$600,000 production of A Christmas Carol promises to cast the immortal Scrooge
and his journey from dark loneliness to epiphany in a brand new light. - The Herald
The cityscape of Victorian London is a panoramic old photograph with
panels that glide out to become the interiors of homes. Scrooge's office
descends from the ceiling while his bedroom rises from the floor. The
ghost of Christmas Past (Christian Goutsis) appears in an alcove above
Scrooge's fireplace which opens up to allow a beautiful old sled to glide in
during a flashback moment. The jovial ghost of Christmas Present
(Kevin Rothery) rises up through the bed while the eerie ghost of Christmas
Future (Gerald Matthews) is part of the massive city clock suspended above
the stage. - The Sun
The Script
"Patch manages to tell the story in a more accessible way than hitherto," says director Dennis Garnhum. "He doesn't twist things too much, but makes everything clearer. - The Herald
Stephen Hair, taking on the role of his 13th consecutive Scrooge for Theatre Calgary: "I love this script. Yes, I come with a whole provenance of stuff from so many directors and so many different scripts about who Scrooge is. But I've always been trying to find the humanity of the man -- the real person." - The Herald
The SunThe production is not without its problems, most of which are rooted in Jerry Patch's bleak, pretentious adaptation. It is not particularly kind to
either Scrooge (Stephen Hair) or Tiny Tim (Sam Duke), the crippled boy whose
plight does most to soften Scrooge's heart. Until Scrooge's experiences at
his nephew's party, Hair seems more an observer than a participant in Scrooge's
visions and Tiny Tim isn't given nearly enough focus even in the scene at the
Cratchit family dinner. - The Sun
The StoryThe energetic Garnhum says, obviously warming to his subject -- "I feel a great
responsibility to the children, and the fact that for many of them this is
going to be the first thing that they see in their lives. - The Herlad
"A Christmas Carol is a funny piece because it works on two levels," Garnhum points out. "First, there's the spectacle of the storytelling that the children in the audience, and the child within all of us, connect to. But it's also really the story of a man going through a mid-life crisis, and that's why adults connect to it. And I think it's important that I direct it for both audiences." - The Herald
The Sun The adaptation ... fails to realize this is a tale for children and the child in all of us. It plays more to adults and prides itself in having a preachy academic veneer. Theatre Calgary's A Christmas Carol needs to dazzle the heart and funny bone as much as it does the eyes. - The Sun